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JazzTimes • AMERICA’S JAZZ MAGAZINE
JT NOTES
An A for Oakland • TOWER OF POWER’s hornmen celebrate 50 years together
On the Road Again • Under lockdown, COWBOYS & FRENCHMEN reflect back on their touring life
Bursting Through the Mire • JAMES BRANDON LEWIS looks to science, history, and a former NFL running back for inspiration
Return to Ithaca • JACQUES SCHWARZ-BART continues his Guadeloupean odyssey
Temper, Temper • HAFEZ MODIRZADEH is expanding jazz’s harmonic foundations
Wynton Welcomes Bucks County Back • Marsalis and his JLCO Septet reopen a landmark Pennsylvania venue
FAREWELLS
Meeting of Lions • RALPH PETERSON’s late-’80s work with Geri Allen is still fierce
Camille Thurman • Learning to listen differently with a multifaceted talent
Steve Slagle • The veteran saxophonist and composer hasn’t let lockdown get him down
NOT THE END OF THE LINE • VINCENT HERRING’s life and livelihood were seriously threatened by the coronavirus, but he’s determined to carry on
A VIRTUOUS CYCLE • Pregnancy and the pandemic have made MARÍA GRAND rethink the practice of music—bringing it closer to nature
MUSIC, INCORPORATED • When Charles Tolliver and the late Stanley Cowell co-founded STRATA-EAST RECORDS in 1971, their only goal was to put out their own work. Before long, though, they found themselves in charge of one of the era’s leading jazz labels—and a lasting symbol of artistic independence.
JAZZ IS NOT DEAD • GARY BARTZ’s new collaboration with ADRIAN YOUNGE and ALI SHAHEED MUHAMMAD shows how the music is remaining vital by reflecting and responding to changes in other genres—and in our world.
In a Mellow Tone (or Not) • For decades, tone controls were anathema in high-end audio circles. So why are they coming back?
Effecting Change • SAM GENDEL creates a distinctive sax sound with pedals and processors
For the Conn-O-Scenti • An artifact of the “Jazz Age” has become a rare sight in ours
Adventures Through Time and Space • Vijay Iyer’s new trio expands creativity in all directions
MASABUMI KIKUCHI
LARA SOLNICKI
GREG ABATE
TOBIAS MEINHART
Child in the Hand • ERIC DOLPHY’s elevatory solo masterpiece